{"id":4710,"date":"2014-07-06T02:16:13","date_gmt":"2014-07-06T01:16:13","guid":{"rendered":"http:\/\/mirath.org\/?p=4710"},"modified":"2014-07-06T02:16:13","modified_gmt":"2014-07-06T01:16:13","slug":"mode-sika","status":"publish","type":"post","link":"https:\/\/mirath.org\/ar\/senouciates\/mode-sika\/","title":{"rendered":"Mode SIKA"},"content":{"rendered":"

A\u00a0\u00a0 – MUSIQUE ARABO ANDALOUSE<\/strong><\/p>\n

ENSEMBLE DE PIECES DU MODE SIKA <\/strong><\/p>\n

(GAMME DE MI- DUREE 1H 10mn)<\/strong><\/p>\n

<\/p>\n

1 \u2013 TOUICHIA\u00a0: <\/strong>ouverture instrumentale<\/p>\n

2- ISTIKHBAR<\/strong>, soit deux\u00a0 ou trois vers de po\u00e9sie, chant\u00e9s librement en solo, sans\u00a0 support rythmique.<\/p>\n

3\u2013<\/strong>PREMIER INSIRAF<\/strong>:ya chabih daia al hilal \u00ab\u00f4 clart\u00e9 de la lune!\u00bb<\/p>\n

\u00a0 -DEUXIEME INSIRAF:<\/strong>ama taftakar \u00a0 \u00a0\u00abne te souviens-tu pas\u00a0?\u00a0\u00bb<\/p>\n

\u00a0 -TROISIEME INSIRAF:<\/strong>hilalun ban \u00abet le croissant apparut \u00bb<\/p>\n

\u00a0 –<\/strong>QUATRIEME INSIRAF<\/strong>:ya lawn al assal \u00ab\u00a0\u00f4 couleur de miel\u00a0!\u00a0\u00bb<\/p>\n

4- PREMIER MOKHLAS<\/strong>: la taqta\u00e2 radjak \u00abne perds pas espoir\u00a0\u00bb<\/p>\n

\u00a0\u00a0 – DEUXIEME MOKHLAS<\/strong>: dir al uqar \u00ab\u00a0remplis ma coupe\u00a0\u00bb<\/p>\n

COMMENTAIRE DE TEXTES<\/strong><\/p>\n

Epris de la beaut\u00e9 de la bien aim\u00e9e compar\u00e9e, tant\u00f4t \u00e0 la lune\u00a0 \u00e9clairant de sa lueur les \u00e9toiles, tant\u00f4t a la gazelle, sa passion d\u00e9bordante, l\u2019auteur rend hommage \u00e0 Dieu d\u2019avoir donn\u00e9 une si belle cr\u00e9ature aux yeux \u00e9meraudes. Sa\u00a0 passion s\u2019arr\u00eate l\u00e0, \u00e0 la\u00a0 contemplation sans plus et n\u2019ose faire aucune avance. Et comme pour conjurer le sort, il s\u2019adresse alors,\u00a0 \u00e0 celle aux yeux couleur de miel \u00e0 laquelle il rappelle l\u2019amour v\u00e9cu ensemble et implore Dieu pour des retrouvailles tr\u00e8s proches. Et c\u2019est avec beaucoup d\u2019espoir qu\u2019il cl\u00f4t sa complainte, un espoir arros\u00e9 par une coupe, malgr\u00e9 l\u2019\u0153il du surveillant. Faut-il enfin, pr\u00e9ciser que tout ce monde n\u2019est que virtuel, voire fictif, sachant\u00a0 que le musulman \u00e9tale rarement ses aventures amoureuses et bacchantes.<\/p>\n

B<\/strong> – <\/strong>HAOUZI<\/strong><\/p>\n

Genre musical du terroir mais qui d\u00e9rive de la musique arabo-andalouse, tant par le temp\u00e9rament m\u00e9lodique que par certains rythmes et m\u00eame dans sa ligne po\u00e9tique.<\/p>\n

1.-<\/strong>Saluni ya ahl al hawa kif djarali \u00ab\u00f4 compagnons de mes amours, que m\u2019arrive-t-il\u00a0?\u00a0\u00bb<\/strong><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0COMMENTAIRE DE TEXTES<\/strong><\/p>\n

Le po\u00e8te musicien du Hawzi, parce que, abreuv\u00e9 a la source arabo-andalouse, n\u2019\u00e9chappe pas \u00e0 son influence, tant sur le plan po\u00e9tique que musical. Il adopte donc un style qui lui est tr\u00e8s proche,<\/p>\n

lorsqu\u2019il \u00e9voque toutes les p\u00e9rip\u00e9ties de ses amours, ses d\u00e9ception, ses douleurs. Mais ses aventures se terminent toujours par des situations heureuses de retrouvailles chaleureuses. C\u2019est ce qui est retrac\u00e9 dans son po\u00e8me\u00a0\u00ab\u00a0\u00f4 compagnons de mes amours, que m\u2019arrive-t-il\u00a0?\u00a0\u00bb<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>C<\/strong>– <\/strong>PANEGYRIQUE RELIGIEUX ET INVOCATIONS <\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/p>\n

1 \u00a0\u2013 ya wasi\u00e2 al makhazen \u00ab\u00f4 celui (DIEU) \u00e0 la grande g\u00e9n\u00e9rosit\u00e9\u00bb<\/p>\n

2 \u2013 ana mani fiyach \u00a0\u00absoumis \u00e0 la volont\u00e9 divine\u00bb<\/p>\n

3 \u2013ahl allah rahoum hazu \u00abla b\u00e9n\u00e9diction des enfants d\u2019ALLAH\u00bb<\/p>\n

COMMENTAIRE DE TEXTES<\/strong><\/p>\n

C\u2019est une succession de trois textes qui synth\u00e9tisent le parcours menant vers la d\u00e9votion la plus pure, voire un asc\u00e9tisme ouvrant la voie \u00e0 un mysticisme contemplatif, seule cl\u00e9 du salut.<\/p>\n

A la faiblesse et la fragilit\u00e9 de l\u2019homme, est oppos\u00e9e la grandeur du tout puissant, Dieu le cr\u00e9ateur de l\u2019univers et de tous les \u00eatres\u00a0; d\u2019o\u00f9 la soumission \u00e0 la volont\u00e9 d\u2019ALLAH\u00a0; une soumission qui repose sur une foi in\u00e9branlable, porteuse d\u2019espoirs\u00a0; ces espoirs qui sont \u00e9galement formul\u00e9s par invocation avec l\u2019intercession du Proph\u00e8te QSSSL. Les v\u0153ux sont alors exauc\u00e9s et, l\u2019\u00e2me en paix, l\u2019auteur se f\u00e9licite d\u2019aller \u00e0 la rencontre du Proph\u00e8te\u00a0 QSSSL\u00a0 qui, lui aussi, est glorifi\u00e9.<\/p>","protected":false},"excerpt":{"rendered":"

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